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性情與中國書法及文學之關系
摘 要：中國書法與文學歷5千年以至今日，汪洋肆達、浩如煙海。其中粲然不朽者，可謂多矣！合時而著、稟筆而生、妙盡天理、巧奪天工，神采縱橫其內，氣勢俯仰其中，格調高雅超凡而意境深長廖遠。匯萃眾美、熔鑄萬形，足以博譽當代而開濟后源。而書法與文學所以蔚然有彩、包質含文者，又莫不以性情通貫始終。故曰書法導之于性情，文學導之于性情，性情為書法、文學之本源。然性情于書法、文學之形質、人品、學養、識見又毫發畢見、須臾不離，故性情亦為2者之內涵。再者，性情對書法、文學之風格、欣賞、創作諸方面之影響又至為深廣。是以性情為書法、文學所以立根之本、所以咀華之英而所以播美之源。
關鍵詞：性情 書法 文學
Abstract: Chinese calligraphy and literature go through one year even today, four vast sea reach , voluminous. The bright and immortal among them one, one may well say more! Is it write , report pen and catch , not wonderful to try justice , wonderful workmanship excelling nature , expression inside vertical-horizontal their best sometimes to shut, the imposing manner pitch is among them , the style is graceful and free from worldly cares and artistic conception profound Liao is far. Assemble all and American foundinging ten thousand shape, enough rich reputation contemporary turning on sourcing after helping. And the reason why Wei Ran has color , Bao Zhi to include the gentle ones in the calligraphy and literature, all pass through openly all the time with the disposition, so the one that called calligraphies and led , in the disposition, what literature is led , in the disposition, the disposition is the origins of calligraphy , literature. But disposition at the calligraphy, literature one shape quality, moral standing, learn not raising , not knowing not seeing and meeting, moment after hair from, so the disposition is also the intension of the two. Moreover, the disposition is deep and broad to the style of calligraphy , literature, influence of all respects of appreciating , creating. Regard disposition as calligraphy , literature so set up foundation of root , chew and Great Britain of China sows the beautiful source .
Key words: Disposition Calligraphy Literature
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