- 相關(guān)推薦
蘩漪和娜拉形象及其悲劇根源之比較
摘 要
蘩漪是半殖民地、半封建社會(huì)復(fù)雜現(xiàn)實(shí)關(guān)系的產(chǎn)物。她“以乖戾、陰鷙、極端的性格折射出封建勢(shì)力的強(qiáng)大壓力，反映出那個(gè)可怕的環(huán)境是怎樣把1個(gè)懷著自由要求的女性逼到1條絕路上的。”娜拉的覺醒和毅然離家出走，至今仍然鼓舞人們?yōu)闋?zhēng)取獨(dú)立人格和自由權(quán)利而斗爭(zhēng)。作為中西文學(xué)的典型形象，她們有很多的相似點(diǎn)和不同之處。本文從3個(gè)方面對(duì)其進(jìn)行了比較：1是生活環(huán)境。她們都生活在1個(gè)非常專制的家庭，沒有地位，沒有獨(dú)立的人格。蘩漪過著1種沒有愛情的牢籠式的生活，娜拉表面上似乎婚姻美滿，自由幸福，其實(shí)只不過是1個(gè)玩偶而已。2是受資產(chǎn)階級(jí)個(gè)性解放思想的影響，她們對(duì)不幸的處境都有了比較清醒的認(rèn)識(shí)，進(jìn)行了大膽的反抗，但認(rèn)識(shí)的程度和反抗形式有所不同。3是她們的悲劇有著同樣的根源，那就是自身的缺陷和不足，走的都是資產(chǎn)階級(jí)個(gè)人反抗的道路。
關(guān)鍵詞：蘩漪；娜拉；性格；同異
ABSTRACT
FanYi is the complex actual relationship of the result of semi-colony and semi-feudal society.She “reflects the powerful pressure of feudal power with her character of warp, sinister and ultra,also reflects how to get the female who with the demand of liberty into the corner by that frightful environment.”Until now,NaLa’s awakeing and leaving home still can inspire people to fight for personal independence and rights of freedom.As the typical images in the Chinese and Western literature,they have many resemblances and differences.This paper tries to compare through three aspects:One is the living condition.They were all lived in a family with much monarchy,they have no statuses and no independent characters. FanYi was being lived in a cage with no love,and NaLa had the complete marriage and happy life on the surface,but in fact she was just a doll. Secondly,they were all influented by the ideology of bourgeoisie, knew their miserable conditions clearly and revolted boldly.But their cognitive degrees and the revolting ways are different.Thirdly,they have the same roots of the tragedy,that is the disadvantages of themselves,and they were all personal rebel of bourgeoisie.
Key words: FanYi; NaLa; Personality; resemblances and differences
【蘩漪和娜拉形象及其悲劇根源之比較】相關(guān)文章：
凱瑟琳與蘩漪形象比較03-06
淺論《雷雨》中蘩漪的悲劇形象05-30
淺析《雷雨》中蘩漪形象02-20
莎士比亞悲劇中的女性形象03-06
涓生和子君人物形象之比較02-27
《白鹿原》女性形象的悲劇意蘊(yùn)03-06
論孫悟空形象的悲劇性05-12